Where do we come from?

In the sport of rugby at the moment (don’t worry, I won’t stay on this topic for too long I promise), there is rather a large debate going on- one that has been echoing around the game for at least a decade now, but that seems to be coming ever closer to the fore. This is the issue of player nationality, namely the modern trend for foreign players to start playing for sides other than those of their birth. The IRB’s rules currently state that one is eligible to play for a country having either lived there for the past three years or if you, either of your parents or any of your grandparents were born there (and so long as you haven’t played for another international side). This state of affairs that has allowed a myriad of foreigners, mainly South Africans (Mouritz Botha, Matt Stevens, Brad Barritt) and New Zealanders (Dylan Hartley, Thomas Waldrom, Riki Flutey), as well as a player all of whose family have played for Samoa (Manu Tuilagi), to play for England in recent years. In fact, Scotland recently played host to an almost comic state of affairs as both the SRU and the media counted down the days until electric Dutch wing Tim Visser, long hailed as the solution to the Scots’ try scoring problems, was eligible to play for Scotland on residency grounds.

These rules were put in place after the ‘Grannygate’ scandal during the early noughties. Kiwi coach Graham Henry, hailed as ‘The Great Redeemer’ by Welsh fans after turning their national side around and leading them to eleven successive victories, had ‘found’ a couple of New Zealanders (Shane Howarth and Brett Sinkinson) with Welsh grandparents to help bolster his side. However, it wasn’t long before a bit of investigative journalism found out that there was no Welsh connection whatsoever, and the whole thing had been a fabrication by Henry and his team. Both players were stopped playing for Wales, and amidst the furore the IRB brought in their new rules.  Sinkinson later qualified on residency and won six further caps for the Welsh. Howarth, having previously played for New Zealand, never played international rugby again.

It might seem odd, then, that this issue is still considered a scandal, despite the IRB having supposedly ‘sorted it out’. But it remains a hugely contentious issue, dividing those who think that Mouritz Botha’s thick South African accent should not be allowed in a white shirt and those who point out that he apparently considers himself English and has as much a right as anyone to compete for the shirt. This is not just an issue in rugby either- during the Olympics, there was a decent amount of criticism for the presence of ‘plastic Brits’ in the Great Britain squad (many of them sporting strong American accents), something that has been present since the days of hastily anglicised South African Zola Budd. In some ways athletics is even more dodgy, as athletes are permitted to change the country they represent (take Bernard Lagat, who originally represented his native Kenya before switching to the USA).

The problem is that nationality is not a simple black & white dividing line, especially in today’s multicultural, well-travelled world. Many people across the globe now hold a dual nationality and a pair of legal passports, and it would be churlish to suggest that they ‘belong’ any more to one country than another. Take Mo Farah, for example, one of Britain’s heroes after the games, and a British citizen- despite being born in, and having all his family come from, Somaliland (technically speaking this is an independent, semi-autonomous state, but is internationally only recognised as part of Somalia). And just as we Britons exalt the performance of ‘our man’, in his home country the locals are equally ecstatic about the performance of a man they consider Somali, whatever country’s colours he runs in.

The thing is, Mo Farah, to the British public at least, seems British. We are all used to our modern, multicultural society, especially in London, so his ethnic origin barely registers as ‘foreign’ any more, and he has developed a strong English accent since he first moved here aged 9. On the other hand, both of Shana Cox’s parents were born in Britain, but was raised in Long Island and has a notable American accent, leading many to dub her a ‘plastic Brit’ after she lead off the 4 x 400m women’s relay team for Great Britain. In fact, you would be surprised how important accent is to our perception of someone’s nationality, as it is the most obvious indicator of where a person’s development as a speaker and a person occurred.

A simultaneously both interesting and quite sad demonstration of this involves a pair of Scottish rappers I saw in the paper a few years ago (and whose names I have forgotten). When they first auditioned as rappers, they did so in their normal Scots accents- and were soundly laughed out of the water. Seriously, their interviewers could barely keep a straight face as they rejected them out of hand purely based on the sound of their voice. Their solution? To adopt American accents, not just for their music but for their entire life. They rapped in American, spoke in American, swore, drank, partied & had sex all in these fake accents. People they met often used to be amazed by the perfect Scottish accents these all-american music stars were able to impersonate. And it worked, allowing them to break onto the music scene and pursue their dreams as musicians, although it exacted quite a cost. At home in Scotland, one of them asked someone at the train station about the timetable. Initially unable to understand the slight hint of distaste he could hear in their homely Scots lilt, it was about a minute before he realised he had asked the question entirely in his fake accent.

(Interestingly, Scottish music stars The Proclaimers, who the rappers were unfavourably compared to in their initial interview, were once asked about the use of their home accents in their music as opposed to the more traditional American of the music industry, and were so annoyed at the assumption that they ‘should’ be singing in an accent that wasn’t theirs that they even made a song (‘Flatten all the Vowels’) about the incident.)

This story highlights perhaps the key issue when considering the debate of nationality- that what we perceive as where someone’s from will often not tell us the whole story. It is not as simple as ‘oh so-and-so is clearly an American, why are they running for Britain?’, because what someone ‘clearly is’ and what they actually are can often be very different. At the very first football international, England v Scotland, most of the Scottish team were selected on the basis of having Scottish-sounding names. We can’t just be judging people on what first meets the eye.

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