Art vs. Science

All intellectual human activity can be divided into one of three categories; the arts, humanities, and sciences (although these terms are not exactly fully inclusive). Art here covers everything from the painted medium to music, everything that we humans do that is intended to be creative and make our world as a whole a more beautiful place to live in. The precise definition of ‘art’ is a major bone of contention among creative types and it’s not exactly clear where the boundary lies in some cases, but here we can categorise everything intended to be artistic as an art form. Science here covers every one of the STEM disciplines; science (physics, biology, chemistry and all the rest in its vast multitude of forms and subgenres), technology, engineering (strictly speaking those two come under the same branch, but technology is too satisfying a word to leave out of any self-respecting acronym) and mathematics. Certain portions of these fields too could be argued to be entirely self-fulfilling, and others are considered by some beautiful, but since the two rarely overlap the title of art is never truly appropriate. The humanities are an altogether trickier bunch to consider; on one hand they are, collectively, a set of sciences, since they purport to study how the world we live in behaves and functions. However, this particular set of sciences are deemed separate because they deal less with fundamental principles of nature but of human systems, and human interactions with the world around them; hence the title ‘humanities’. Fields as diverse as economics and geography are all blanketed under this title, and are in some ways the most interesting of sciences as they are the most subjective and accessible; the principles of the humanities can be and usually are encountered on a daily basis, so anyone with a keen mind and an eye for noticing the right things can usually form an opinion on them. And a good thing too, otherwise I would be frequently short of blogging ideas.

Each field has its own proponents, supporters and detractors, and all are quite prepared to defend their chosen field to the hilt. The scientists point to the huge advancements in our understanding of the universe and world around us that have been made in the last century, and link these to the immense breakthroughs in healthcare, infrastructure, technology, manufacturing and general innovation and awesomeness that have so increased our quality of life (and life expectancy) in recent years. And it’s not hard to see why; such advances have permanently changed the face of our earth (both for better and worse), and there is a truly vast body of evidence supporting the idea that these innovations have provided the greatest force for making our world a better place in recent times. The artists provide the counterpoint to this by saying that living longer, healthier lives with more stuff in it is all well and good, but without art and creativity there is no advantage to this better life, for there is no way for us to enjoy it. They can point to the developments in film, television, music and design, all the ideas of scientists and engineers tuned to perfection by artists of each field, and even the development in more classical artistic mediums such as poetry or dance, as key features of the 20th century that enabled us to enjoy our lives more than ever before. The humanities have advanced too during recent history, but their effects are far more subtle; innovative strategies in economics, new historical discoveries and perspectives and new analyses of the way we interact with our world have all come, and many have made news, but their effects tend to only be felt in the spheres of influence they directly concern- nobody remembers how a new use of critical path analysis made J. Bloggs Ltd. use materials 29% more efficiently (yes, I know CPA is technically mathematics; deal with it). As such, proponents of humanities tend to be less vocal than those in other fields, although this may have something to do with the fact that the people who go into humanities have a tendency to be more… normal than the kind of introverted nerd/suicidally artistic/stereotypical-in-some-other-way characters who would go into the other two fields.

This bickering between arts & sciences as to the worthiness/beauty/parentage of the other field has lead to something of a divide between them; some commentators have spoken of the ‘two cultures’ of arts and sciences, leaving us with a sect of sciences who find it impossible to appreciate the value of art and beauty, thinking it almost irrelevant compared what their field aims to achieve (to their loss, in my opinion). I’m not entirely sure that this picture is entirely true; what may be more so, however, is the other end of the stick, those artistic figures who dominate our media who simply cannot understand science beyond GCSE level, if that. It is true that quite a lot of modern science is very, very complex in the details, but Albert Einstein was famous for saying that if a scientific principle cannot be explained to a ten-year old then it is almost certainly wrong, and I tend to agree with him. Even the theory behind the existence of the Higgs Boson, right at the cutting edge of modern physics, can be explained by an analogy of a room full of fans and celebrities. Oh look it up, I don’t want to wander off topic here.

The truth is, of course, that no field can sustain a world without the other; a world devoid of STEM would die out in a matter of months, a world devoid of humanities would be hideously inefficient and appear monumentally stupid, and a world devoid of art would be the most incomprehensibly dull place imaginable. Not only that, but all three working in harmony will invariably produce the best results, as master engineer, inventor, craftsman and creator of some of the most famous paintings of all time Leonardo da Vinci so ably demonstrated. As such, any argument between fields as to which is ‘the best’ or ‘the most worthy’ will simply never be won, and will just end up a futile task. The world is an amazing place, but the real source of that awesomeness is the diversity it contains, both in terms of nature and in terms of people. The arts and sciences are not at war, nor should they ever be; for in tandem they can achieve so much more.


The Interesting Instrument

Music has been called the greatest thing that humans do; some are of the opinion that it, even if only in the form of songs sung around the campfire, it is the oldest example of human art. However, whilst a huge amount of music’s effect and impact can be put down to the way it is interpreted by our ears and brain (I once listened to a song comprised entirely of various elements of urban sound, each individually recorded by separate microphones and each made louder or softer in order to create a tune), to create new music and allow ourselves true creative freedom over the sounds we make requires us to make and play instruments of various kinds. And, of all the myriad of different musical instruments humankind has developed, honed and used to make prettyful noises down the years, perhaps none is as interesting to consider as the oldest and most conceptually abstract of the lot; the human voice.

To those of us not part of the musical fraternity, the idea of the voice being considered an instrument at all is a very odd one; it is used most of the time simply to communicate, and is thus perhaps unique among instruments in that its primary function is not musical. However, to consider a voice as merely an addition to a piece of music rather than being an instrumental part of it is to dismiss its importance to the sound of the piece, and as such it must be considered one by any composer or songwriter looking to produce something coherent. It is also an incredibly diverse tool at a musician’s disposal; capable of a large range of notes anyway in a competent singer, by combining the voices of different people one can produce a tonal range rivalled only by the piano, and making it the only instrument regularly used as the sole component of a musical entity (ie in a choir). Admittedly, not using it in conjunction with other instruments does rather limit what it can do without looking really stupid, but it is nonetheless a quite amazingly versatile musical tool.

The voice also has a huge advantage over every other instrument in that absolutely anyone can ‘play’ it; even people who self-confessedly ‘can’t sing’ may still find themselves mumbling their favourite tune in the shower or singing along with their iPod occasionally. Not only that, but it is the only instrument that does not require any tool in addition to the body in order to play, meaning it is carried with everyone absolutely everywhere, thus giving everybody listening to a piece of music a direct connection to it; they can sing, mumble, or even just hum along. Not only is this a wet dream from a marketer’s perspective, enabling word-of-mouth spread to increase its efficiency exponentially, but it also makes live music that other level more awesome (imagine a music festival without thousands of screaming fans belting out the lyrics) and just makes music that much more compelling and, indeed, human to listen to.

However, the main artistic reason for the fundamental musical importance of the voice has more to do with what it can convey- but to adequately explain this, I’m going to need to go off on a quite staggeringly over-optimistic detour as I try to explain, in under 500 words, the artistic point of music. Right, here we go…:

Music is, fundamentally, an art form, and thus (to a purist at least) can be said to exist for no purpose other than its own existence, and for making the world a better place for those of us lucky enough to be in it. However, art in all its forms is now an incredibly large field with literally millions of practitioners across the world, so just making something people find pretty doesn’t really cut it any more. This is why some extraordinarily gifted painters can draw something next to perfectly photo-realistic and make a couple of grand from it, whilst Damien Hirst can put a shark in some formaldehyde and sell it for a few million. What people are really interested in buying, especially when it comes to ‘modern’ art, is not the quality of brushwork or prettifulness of the final result (which are fairly common nowadays), but its meaning, its significance, what it is trying to convey; the story, theatre and uniqueness behind it all (far rarer commodities that, thanks to the simple economic law of supply and demand, are thus much more expensive).

(NB: This is not to say that I don’t think the kind of people who buy Tracy Emin pieces are rather gullible and easily led, and apparently have far more money than they do tangible grip on reality- but that’s a discussion for another time, and this is certainly how they would justify their purchases)

Thus, the real challenge to any artist worth his salt is to try and create a piece that has meaning, symbolism, and some form of emotion; and this applies to every artistic field, be it film, literature, paintings, videogames (yes, I am on that side of the argument) or, to try and wrench this post back on-topic, music. The true beauty and artistic skill of music, the key to what makes those songs that transcend mere music alone so special, lies in giving a song emotion and meaning, and in this function the voice is the perfect instrument. Other instruments can produce sweet, tortured strains capable of playing the heart strings like a violin, but virtue of being able to produce those tones in the form of language, capable of delivering an explicit message to redouble the effect of the emotional one, a song can take on another level of depth, meaning and artistry. A voice may not be the only way to make your song explicitly mean something, and quite often it’s not used in such an artistic capacity at all; but when it is used properly, it can be mighty, mighty effective.

Bouncing horses

I have , over recent months, built up a rule concerning posts about YouTube videos, partly on the grounds that it’s bloody hard to make a full post out of them but also because there are most certainly a hell of a lot of good ones out there that I haven’t heard of, so any discussion of them is sure to be incomplete and biased, which I try to avoid wherever possible. Normally, this blog also rarely delves into what might be even vaguely dubbed ‘current affairs’, but since it regularly does discuss the weird and wonderful world of the internet and its occasional forays into the real world I thought that I might make an exception; today, I’m going to be talking about Gangnam Style.

Now officially the most liked video in the long and multi-faceted history of YouTube (taking over from the previous record holder and a personal favourite, LMFAO’s Party Rock Anthem), this music video by Korean rapper & pop star PSY was released over two and a half months ago, and for the majority of that time it lay in some obscure and foreign corner of the internet. Then, in that strange way that random videos, memes and general random bits and pieces are wont to do online, it suddenly shot to prominence thanks to the web collectively pissing itself over the sight of a chubby Korean bloke in sunglasses doing ‘the horse riding dance’. Quite how this was even discovered by some casual YouTube-surfer is something of a mystery to me given that said dance doesn’t even start for a good minute and a half or so, but the fact remains that it was, and that it is now absolutely bloody everywhere. Only the other day it became the first ever Korean single to reach no.1 in the UK charts, despite not having been translated from its original language, and has even prompted a dance off between rival Thai gangs prior to a gunfight. Seriously.

Not that it has met with universal appeal though. I’m honestly surprised that more critics didn’t get up in their artistic arms at the sheer ridiculousness of it, and the apparent lack of reason for it to enjoy the degree of success that it has (although quite a few probably got that out of their system after Call Me Maybe), but several did nonetheless. Some have called it ‘generic’ in music terms, others have found its general ridiculousness more tiresome and annoying than fun, and one Australian journalist commented that the song “makes you wonder if you have accidentally taken someone else’s medication”. That such criticism has been fairly limited can be partly attributed to the fact that the song itself is actually intended to be a parody anyway. Gangnam is a classy, fashionable district of the South Korean capital Seoul (PSY has likened it to Beverly Hills in California), and gangnam style is a Korean phrase referring to the kind of lavish & upmarket (if slightly pretentious) lifestyle of those who live there; or, more specifically, the kind of posers & hipsters who claim to affect ‘the Gangnam Style’. The song’s self-parody comes from the contrast between PSY’s lyrics, written from the first-person perspective of such a poser, and his deliberately ridiculous dress and dance style.

Such an act of deliberate self-parody has certainly helped to win plaudits from serious music critics, who have found themselves to be surprisingly good-humoured once told that the ridiculousness is deliberate and therefore actually funny- however, it’s almost certainly not the reason for the video’s over 300 million YouTube views, most of which surely go to people who’ve never heard of Gangnam, and certainly have no idea of the people PSY is mocking. In fact, there have been several different theories proposed as to why its popularity has soared quite so violently.

Most point to PSY’s very internet-friendly position on his video’s copyright. The Guardian claim that PSY has in fact waived his copyright to the video, but what is certain is that he has neglected to take any legal action on the dozens of parodies and alternate versions of his video, allowing others to spread the word in their own, unique ways and giving it enormous potential to spread, and spread far. These parodies have been many and varied in content, author and style, ranging from the North Korean government’s version aimed at satirising the South Korean president Park Guen-hye (breaking their own world record for most ridiculous entry into a political pissing contest, especially given that it mocks her supposed devotion to an autocratic system of government, and one moreover that ended over 30 years ago), to the apparently borderline racist “Jewish Style” (neither of which I have watched, so cannot comment on). One parody has even sparked a quite significant legal case, with 14 California lifeguards being fired for filming, dancing in, or even appearing in the background of, their parody video “Lifeguard Style” and investigation has since been launched by the City Council in response to the thousands of complaints and suggestions, one even by PSY himself, that the local government were taking themselves somewhat too seriously.

However, by far the most plausible reason for he mammoth success of the video is also the simplest; that people simply find it funny as hell. Yes, it helps a lot that such a joke was entirely intended (let’s be honest, he probably couldn’t have come up with quite such inspired lunacy by accident), and yes it helps how easily it has been able to spread, but to be honest the internet is almost always able to overcome such petty restrictions when it finds something it likes. Sometimes, giggling ridiculousness is just plain funny, and sometimes I can’t come up with a proper conclusion to these posts.

P.S. I forgot to mention it at the time, but last post was my 100th ever published on this little bloggy corner of the internet. Weird to think it’s been going for over 9 months already. And to anyone who’s ever stumbled across it, thank you; for making me feel a little less alone.