A Straight White Guy’s Guide to Feminism Today

A forewarning before I begin- I, a privileged, heterosexual white male, am about to deliver a commentary on sexism. As such, I don’t expect to get everything ‘right’ and I can’t offer first hand accounts to the cause. Some may say I have no right to write on the subject, but frankly I find the field intensely interesting and it’s one of relatively few areas in which I have a strong opinion- so this is happening.

The feminist movement has, over the past few decades, achieved most (or at least many) of the goals it set its sights on when the movement first began. Most employers now advertise themselves as ‘equal opportunities’, there are next to no discriminatory pay scales nowadays and most of us wouldn’t find it odd to deal with a female doctor, lawyer, or politician. On the face of it, therefore, our society seems to be ideologically equal- ‘yes there are still some issues of execution’, so the argument goes, ‘but ask anybody in the civilised world if men and women are equal and you’ll be hard pressed to find someone who’ll answer in the negative’. And that statement is, broadly speaking, true*; as such, it is the opinion of large sects of the population (both men and women) that feminism has won. It’s done, we finally live in a (mostly) equal society, and the feminists of today are just hardcore lesbians & man-haters.

(*or at least, that’s the impression I get in the circles I move in)

This is reflected in the delightfully dismissive name given to the feminist movement since the 1990s; ‘post-feminism’, a name implying that the movement is over. Unfortunately, the picture is nothing like as optimistic- the fact that feminism still exists as a movement and is a constantly throbbing discourse should alone demonstrate that women still face discrimination, as do statistics relating to the average salary of female employees and the number of women in high-ranking positions in society (particularly politics and the military). For some examples a little closer to home, I recommend the Everyday Sexism blog, provided you don’t mind having your faith in men the world over heavily shaken. To use a racial comparison, the Civil Rights movement was ‘won’ 40 years ago, yet racial discrimination still occurs on a large scale- even though most of us think of racism as A Bad Thing.

The problem is that feminists of today face a far more complex challenge than their predecessors, and feminism as a movement is a great deal more fractured. ‘Third wave’ feminism, for example, originated during the 1990s and placed a heavy focus on sexual liberation- however, it also attracted radicals and is the main source of the ‘man-hating lesbians’ stereotype. The more recent fourth-wave feminism has focused on the sexualised attitude men have towards women and the highly controversial concept of ‘rape culture’. Some feminists contend that there are no practical differences between men and women other than societal constructs and making babies- others acknowledge fundamental differences between the two and are engaged in constant infighting with the former group. Still others don’t conform to any faction within feminism at large but merely focus on one particular issue they care about- recent high-profile campaigns against female genital mutilation are one example.

Such is the challenge to a modern feminist- there is no clearly-defined goal, no obvious laws that need striking down (at least, not in the western world), no single bad guy to defeat. Instead, feminists find themselves attempting to navigate & restructure a minefield of tangled social constructs and attitudes. Not only have most of these attitudes been ingrained in society for decades or even centuries, no-one seems able to agree if they are wrong- the black and white certainties of early feminism have been replaced with shades of grey.

Sexualisation provides a good example- the idea that women are, from a young age, formed into and treated like sex objects by men a lot of the time. On paper, this seems like a quite clear cut Bad Thing- a girl walking down the street minding her own business is unlikely to appreciate a ‘get your tits out for the lads’ comment from a passing car, and it’s straight up insulting that that a woman is thought of as nothing but a set of T&A in that situation. However, consider a counter-example; that same girl on a night out being hit on by a guy, dancing close & giving his best pickup lines a go. The guy in that scenario is quite clearly viewing the girl as someone to have sex with, but this wouldn’t be considered dodgy- both are out attempting to have a good time, and if both end up enjoying in bed afterwards then well played to them both. So this we consider OK. Now consider what happens if our girl decides she isn’t particularly interested; she moves on, perhaps heads to get a drink, but our man is still interested and follows her. She starts to find this creepy, and attempts to ignore him, but he is insatiable, continually flirting with her and making her uncomfortable. OK, we might say, so now the guy is in the wrong; she’d not been interested, he should have left her alone. But think of it another way- in the sweaty confines of a dancefloor, he was just another guy and she just another girl, but by following her he had shown genuine interest. Is it wrong for a girl to not settle for the first guy to start hitting on her on a night out, but instead see who has the dedication to follow up his initial advances and try and hold his own in conversation? What if, rather than his continued presence making our girl feel uncomfortable, the conversation continues, and it ends up that both get lucky- in that case, by making continued advances beyond the initial rejection, our guy has been pro-feminist, attempting to go for women other than those so drunk or dismissive of sex that they’ll fall into the arms of the first guy to show any interest. Thus, the shades of grey begin to emerge; at what point do flirtatious advances stop being compliments and start being creepy?

That isn’t even the only confusing feminist topic to be had in the ‘nightclub pull’ situation; some feminists would accuse me of taking a patriarchal point of view by having the guy take the dominant role in the above described situation, arguing (quite correctly) that the idea of a girl being the one from whom sex is sought, of ‘giving out’ sex to those who sufficiently impress her, is a demeaning and objectifying social construct. Others might say that by rejecting the idea (in my penultimate sentence) of girls who are ‘dismissive of sex’, I am guilty of ‘slut-shaming’; the word ‘slut’ is currently the subject of a titanic battle in the feminist community, as it is seen to imply that women should be virginal and pure according to old-fashioned doctrine, and that women are forbidden from simply enjoying sex in the same way men do. In my defence, I turn to a bit of advice I was given once and have held onto ever since; “never have sex with someone who is less interested in it than you”; my issue with the word ‘slut’ is that it is always applied relative to one person’s code of prudishness and implies that someone else’s attitudes towards sex are ‘wrong’. Having said that, it’s true that that penultimate sentence of the last paragraph comes across as judgemental- and I’m writing this specifically to try and be sex-positive and pro-feminist in my attitudes. You see how difficult all this gets; and this isn’t even the most hotly-fought battleground.

In short, modern feminism finds itself attempting to collectively rewrite the world’s psyche with regards to how we all think about women, and attempts to do so without a cohesive idea in mind of what exactly it is after. Scarcely a more ambitious task has been attempted in human history, and most likely it won’t be ‘solved’ for decades to come- indeed, if it ever is. But, then again, there has never been a world as fast-changing and open-minded as our current one. One day, we might be able to use the phrase ‘post-feminism’ a little more honestly.

The Hairy Ones

My last post on the subject of music history covered the relatively short timespan between around 1950 and 1965, leaving off at about the time The Beatles began leading the ‘British Invasion’ of American music culture. This invasion was a confluence of a whole host of factors; a fresh generation of youths wishing to identify with something new as ‘theirs’ and different to their parents, a British music scene that had been influenced by the American one without being so ingratiated into it as to snub their ability to innovate and make a good sound, and the fact that said generation of youngsters were the first to grow up around guitar music and thus the first to learn to play them and other genre-defining instruments en masse. Plus, some seriously good musicians in there. However, the British invasion was only the first of a multi-part wave of insane musical experimentation and innovation, flooding the market with new ideas and spawning, in the space of less than a decade, almost every genre to exist today. And for the cause of much of part two, we must backtrack a little to 1955.

Y’see, after the Second World War Japan, the dominant East Asian power, had surrendered unconditionally to the Allies and there was no dominant force in the region. This created something of a power vacuum in the area, with a host of new governments trying to rise from the post-war chaos and establish themselves as such a power. Many of these new nations, including those of China, Cambodia, North Korea and North Vietnam, were Communist states, and therefore were a serious concern to the western world. The US in particular, as a fiercely capitalist power, were deeply worried by the prospect of the whole of South East Asia, according to communist theory, just amalgamating into another great communist superpower and landing them with next to zero chance of triumphing in their ‘battle against communism’ against the already hugely powerful Soviet Union. As such, they were hell-bent on preserving every ounce of capitalist democracy they could in the area, and were prepared to defend such governments with as much force as necessary. In 1950 they had already started a war in Korea to prevent the communist north’s invasion of the democratic south, with the practical upshot (after China joined in) of re establishing the border pretty much exactly where it had been to start with and creating a state of war that, officially, has yet to end. In 1955, a similar situation was developing in Vietnam, and President Dwight D Eisenhower once again sent in the army.

Cut to ten years later, and the war was still going on. Once a crusade against the onward-marching forces of communism, the war had just dragged on and on with its only tangible result being a steady stream of dead and injured servicemen fighting a war many, especially the young who had not grown up with the degree of Commie-hating their parents had, now considered futile and stupid. Also related to ‘the Red Scare’ was the government’s allowing of capitalist corporations to run haywire, vamping up their marketing and the consumer-saturation of America. This might have lead to a 15 year long economic boom, but again many of the younger generation were getting sick of it all. All of this, combined with a natural teenage predisposition to do exactly what their parents don’t want them to, lead to a new, reactionary counter-culture that provided an impetus for a whole wave of musical experimentation; hippies.

The hippie movement (the word is, strangely, derived from ‘hipster’) was centred around pacifism, freedom of love and sex (hence ‘make love not war’), an appreciation of the home made and the natural rather than the plastic and capitalist, and drug use. The movement exists to this day, but it was most prevalent in the late 60s when a craze took the American youth by storm. They protested on a huge variety of issues, ranging from booing returning soldiers and more general anti-war stuff (hippies were also dubbed ‘flower children’ for their practice of giving flowers to police officers at such demonstrations) to demonstrations on the banning of LSD or ‘acid’, one of their more commonly used drugs. This movement of wired, eco-centric vegetarians didn’t connect well with the relatively fresh, clean tones of rock & roll and The Beatles, and inspired new music based around their psychedelic and their ‘appreciation’ of drug use. It was in this vein that The Beatles recorded Lucy in the Sky with Diamonds, and why Jimi Hendrix and Janis Joplin rose to fame in a new genre known as ‘acid rock’ (named after the drug from which most of the lyrics were ‘inspired’). Characterised by long, confusing and hideously difficult solos (I’m looking at you Hendrix), this was the prominent genre on show at the infamous Woodstock festival of 1969, featuring Hendrix, Joplin, The Who, The Grateful Dead & Carlos Santana among other things. Woodstock was the high point of the hippie movement, with over half a million fans attending to smoke, listen to the music, skinny dip and make love in and around the lake and generally by as hippie as possible.

Hippie culture went downhill post-Woodstock; public outcry following the Altamont Free Concert close to San Francisco (where Hell’s Angels provided security and shot a concert-goer during The Rolling Stones’ set for brandishing a gun) coincided with ‘the hippie generation’ mostly growing up. The movement still exists today, and it legacy in terms of public attitudes to sexual freedom, pacifism and general tolerance (hippies were big on civil rights and respect for the LGBT community) is certainly considerable. But their contribution to the musical world is almost as massive; acid rock was a key driving force behind the development of the genres of folk rock (think Noah and the Whale) and heavy metal (who borrowed from Hendrix’s style of heavy guitar playing). Most importantly, music being as big a part as it was of hippie culture definitively established that the practice of everyone, even the lowliest, ‘commonest’ people, buying, listening to, sharing and most importantly making music themselves was here to stay.

The story of hippies covers just one of the music families spawned out of the late 60s. The wave of kids growing up with guitars and the idea that they can make their own music, can be the next big thing, with no preconceived ideas, resulted in a myriad of different styles and genres that form the roots of every style of modern rock music. This period was known as ‘the golden age of rock’ for a reason; before pop was big, before hip-hop, before rap, decades before dubstep, before even punk rock (born in the early seventies and disliked by many serious music nerds for being unimaginative and stupid), rock music ruled and rock music blossomed.

You could argue that this, then, marks the story of rock, and that the rest of the tale is just one long spiral downwards- that once the golden age ended, everything is just a nice depressing story. Well, I certainly don’t like to think of that as true (if only because I would rather not have a mindset to make me stop listening to music),  but even if it was, there is a hell of a lot of stuff left in this story. Over? Not for another post or two…

Another week, another attack on the web…

A couple of weeks ago, on the day of the web blackout, I put a post up here about SOPA and PIPA, the two acts planned to be passed by the US government with the potential to cripple  the web as we know it. Happily, in the space of 3 days the bill was all but dead and buried- a resounding success from the internet community.
However, the web is still a problem child to  many big corporations, and SOPA was far from the last time we’re going to see the copyright brigade try to attack it. I heard the other day of another threat looming on the horizon- this time called ACTA (Anti-Counterfeiting Trade Agreement).
Unlike SOPA or PIPA, ACTA is an international affair, being discussed in the worldwide halls of power- some have criticized it, in Europe at least, for being discussed by non-elected figures, but that’s another story. It’s actually a lot older than SOPA or PIPA- it was first put forward in 2006, first drafted in 2010, and was published in April 2011. ACTA’s aim is, once again, to deal with copyright infringement, this time by dealing with intellectual property rights. Like SOPA and PIPA, the problems it is setting out to deal with are real ones- intellectual property theft (or stealing/using someone else’s idea without permission) is a sneaky and underhand way of muscling into someone else’s market and making a quick buck out of someone else’s work. However, there is one gigantic problem standing in the way of this kind of bill ever being a good idea- the concept of intellectual property itself.
Intellectual property is notoriously hard to define- the OED lists it as “intangible property that is the result of creativity, such as patents, copyrights, etc…” because once it reaches this legally defined stage it clearly is. But there is no real distinction of exactly where the boundary of where IP starts begins. Is it when you first have the idea for a product? Is it when you first commit something to paper? Is it only when it has been filed, patented and copyrighted- where is the boundary? As such, any scale of idea can be thought of, without really stretching a point to0 far, as intellectual property. And ACTA does not introduce its own definition of intellectual property, meaning it is ripe for exactly the same kind of legal misuse as SOPA and PIPA could have been. The sharing of any information can technically be classed as intellectual property- spreading an idea that is technically somone else’s, without paying for the privilege. Of course, it is the web that would be hit hardest by the potential of ACTA to restrict the transfer of information, as this is, basically, what keeps the web running (see my SOPA/PIPA post for more details on the subject). This restriction on what can be said and shared means ACTA has been accused, most notably by the European Parliament, of potentially restricting people’s right to free speech and freedom of expression.
Like SOPA and PIPA, ACTA also grants hugely overblown powers and capabilities to countries, companies and governments attempting to enforce it- these include massively increasing the amount of surveillance permitted to be conducted on everyday people (violating your civil rights this time- people have a fundamental right to reasonable privacy), allowing the destruction of copyright-violating goods (one of the more worrying parts of the bill is that this could include generic medicines, versions of a medicine whose patent rights have expired, granting yet more power to an already selfish pharmaceutical industry), and introducing harsh punishments for violating ACTA regulations, including fines and prison sentences- the bill does not define how much or for how long these should be, which is a sign that it has not been comprehensively thought through- the power to decide what criminal charges should be applied is given to the copyright holder.
And, again like its predecessors, ACTA puts a huge onus on websites to check that they are not harbouring any copyrighted material unintentionally- this means that Google will have to continually check its servers to ensure that it is not being used as a conduit for reading copyrighted information, and that Facebook will always have to check that none of the videos being posted on it are playing copyrighted music. And then, of course, sites like YouTube, wholly reliant as they are on user-generated content, would simply implode and collapse.
But ACTA’s problems are not just repeats of SOPA and PIPA- it brings its own set of flaws to the table. Collaboration between scientists to work on improving patented medicines? No way- the big pharma would never allow it. Critics quoting lines in books and films? No- easy source of income for book and film publishers to snap up. Basically any work on an existing idea that has any connection with someone who is likely to abuse the powers ACTA gives them would be off limits- as usual in these kind of bills, the only people who benefit are big corporations who are looking to remove this pesky internet thing that keeps getting in the way.
And the worst thing? It’s already on its way. ACTA was signed last October by a large group of countries (although it has not yet been ratified by most of them), and the only countries who have complained or protested about it are a few in Eastern Europe, most notably Poland. It has slipped under the radar for most people, because it’s all been done secretively, without coming to the public attention. ACTA is dangerously close to slaughtering the web, along with bringing a whole host of other flaws with it, and unless something happens to prevent it, the proverbial shit is going to hit the fan.