‘Before it was cool’

Hipsters are one of the few remaining groups it is generally considered OK to take the piss out of as a collective in modern culture, along with chavs and the kind of people who comment below YouTube videos. The main complaint against them as a group is their overly superior and rather arrogant attitude- the sense that they are inherently ‘better’ than those around them simply by virtue of dressing differently (or ‘individually’ as they would have it) and listening to music that nobody’s ever heard of before.

However, perhaps the single thing that hipster elitism is loathed for more than any other is the simple four-letter phrase ‘before it was cool’. Invariably prefaced with ‘I was into that…’, ‘I knew about them…’ or ‘They were all over my iTunes…’ (although any truly self-respecting hipster would surely not stoop so low as to use such ‘mainstream’ software), and often surrounded by ‘y’know’s, this small phrase conjures up a quite alarming barrage of hatred from even the calmest music fan. It symbolises every piece of petty elitism and self-superiority that hipster culture appears to stand for, every condescending smirk and patronising drawl directed at a sense of taste that does not match their own, and every piece of weird, idiosyncratic acoustic that they insist is distilled awesome

On the other hand, despite the hate they typically receive for their opinions, hipster reasoning is largely sound. The symbolism of their dress code and music taste marking them out from the crowd is an expression of individuality and separatism from the ‘mass-produced’ culture of the modern world, championing the idea that they are able to think beyond what is simply fed to them by the media and popular culture. It is also an undeniable truth that there is an awful lot of rubbish that gets churned out of said media machine, from all the various flavours of manufactured pop to the way huge tracts of modern music sound the same, all voices having been put through a machine umpteen times. Indeed, whilst it is not my place to pass judgement on Justin Beiber and company (especially given that I haven’t listened to any of his stuff), many a more ‘casual’ music fan is just as quick to pass judgement on fans of that particular brand of ‘manufactured’ pop music as a hipster may be towards him or her.

In fact, this is nothing more than a very human trait- we like what we like, and would like as many other people as possible to like it too. What we don’t like we have a natural tendency to bracket as universally ‘bad’ rather than just ‘not our thing’, and thus anyone who likes what we don’t tends to be subconsciously labelled either ‘wrong’ or ‘misguided’ rather than simply ‘different’. As such, we feel the need to redress this issue by offering our views on what is ‘good’ and ‘bad’, which wouldn’t be a problem if other people didn’t happen to like what we see as bad, and perhaps not get on so well with (or not have heard of) stuff we think of as good. Basically, the problem boils down to the fact that all people are different, but our subconscious treats them as all being like us- an unfortunate state of affairs responsible for nearly all of the general confrontation & friction present in all walks of life today.

What about then that hated phrase of the hipster, ‘before it was cool’? Well, this too has some degree of logic behind it, as was best demonstrated in the early 1990s during the rise of Nirvana. When they first started out during the 1980’s they, along with other alternative rock bands of the time such as REM, represented a kind of rebellious undercurrent to the supposed good fortune of Reagan-era America, a country that was all well and good if you happened to be the kind of clean cut kid who went to school, did his exams, passed through college and got an office job. However, for those left out on a limb by the system, such as the young Kurt Cobain, life was far harsher and less forgiving- he faced a life of menial drudgery, even working as a janitor in his old high school. His music was a way to express himself, to stand out from a world where he didn’t fit in, and thus it really meant something. When ‘Smells Like Teen Spirit’ first made Nirvana big, it was a major victory for that counter-culture, and pretty much put grunge on the map both as a music genre and a cultural movement for the first time.

And with success came money, and here things began to unravel. Unfortunately where there is money, there are always people willing to make more of it, and the big corporations began to move in. Record labels started to sign every grunge band and Nirvana-clone that they could find in a desperate attempt to find ‘the next Nirvana’, and the odd, garish fashion sense of the grunge movement began to make itself felt in more mainstream culture, even finding its way onto the catwalk. The world began to get swamped with ‘grungy stuff’ without embracing what the movement really meant, and with that its whole meaning began to disappear altogether. This turning of his beloved underground scene into an emotionless mainstream culture broke Kurt Cobain’s heart, leaving him disillusioned with what he had unwittingly helped to create. He turned back to the drug abuse that had sprung from his poor health (both physical and mental) and traumatic childhood, and despite multiple attempts to try and pull him out of such a vicious cycle, he committed suicide in 1994.

This is an incredibly dramatic (and very depressing) example, but it illustrates a point- that when a band gets too big for its boots and, in effect, ‘becomes cool’, it can sometimes cause them to lose what made them special in the first place. And once that something has been lost, it may never be the same in the eyes who saw them with it.

Although having said that, there is a difference between being an indie rock fan and being a hipster- being a pretentious, arrogant moron about it. *$%#ing hipsters.

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Equality vs. Superiority

Has anyone here heard of Anita Sarkeesian? If not, I don’t blame you- I hadn’t either until this morning. She is a feminist activist and video blogger, who recently decided to start a video series entitled ‘Tropes vs Women in Videogames’, in an effort to discuss and address some of the clichés (tropes) that game developers continually use in their portrayal of female characters, the archetypal one being armour (such as that on World of Warcraft) that leaves very little to the imagination. To both fund (since this is one of her main sources of income) and publicise this project, she set up a Kickstarter page (asking for$6,000), and posted a YouTube video… and this is where the trouble started.

As I have said before, the internet (and YouTube in particular) has always attracted the loud, shouty and mind-blowingly offensive, but the response to this video really took the biscuit. I won’t bore you by listing all the comments here, but suffice it to say that the sheer outpouring of hate was quite something to behold. The sheer anger awoken at the merest mention of feminism is quite truly staggering, and it didn’t end there- her Wikipedia page was repeatedly vandalised with explicit sexual references, matching pictures and links to porn sites until it was taken down, at which point the ‘trolls’ started spamming her Kickstarter page to try and get the company to shut her down (although, to their credit, they left it up and her campaign has now received something like $50,000, so there are at least some generous people out there).

The thing that really struck me about the whole business though was the arguments being made against her. For a change, at least some YouTube commenters appeared to actually have a reason for their outrage, and were at least trying (between bouts of  CAPITAL LETTERS and overuse of the word ‘bullshit’) to say what it was.

One chief argument is the current most popular anti-feminist one, namely because it is the only argument with even an ounce of sanity behind it- the idea that nowadays feminism is not about promoting equality, but instead about promoting female supremacy. Now, I actually get where this argument is coming from, because it is actually an issue. Some of the points being raised included the lack of rights for divorced fathers (an area in which I am not especially knowledgeable but am aware there is room for improvement), and the increasing trend for feminists to blame everything bad men do to women on sexism and everything bad women do to men to either be ignored or dismissed as an enigma. This was often linked to another argument regularly championed, namely that complaining about representing women as sex objects in videogames was unjustified because 99% of male gaming characters are the kind of muscled hunks who represent male sex objects, which men never complain about and in any case sex appeal is a necessary selling point of many games. The other main argument centred around ‘why the hell is she asking for money for what she could do for free?’, but since this argument is 1) irrelevant and 2) not thought through (this is her job, so she could do with some cash for it- and more importantly there is no requirement for you to donate so if you dislike the idea then just don’t give her money), I’m just going to stick to the first two arguments for now.

Since so much has been offered championing these two ideas, I thought I would begin by offering the feminist counter-argument to them, so that people can understand the issue fully. Both arguments are, in actuality, perfectly valid and do have evidence to back them up- however, whilst they are entirely appropriate in some scenarios, trouble arises from when they are applied in the wrong place. For example- complaining that women are overly prejudiced against men if a female candidate is preferred over a better-qualified male candidate by a female selector (I will not mention the issue of quotas here, but may in another post) is completely valid. Complaining in this way when a man is given a 20-year sentence for sexual assault is, however, entirely inappropriate.Thus, in this case, the ‘male’ viewpoint thinks that it is entirely appropriate to claim that ‘feminism has gone too far’, because it thinks that the representation of men as muscular ‘perfect males’ means that both men and women are treated as sex objects equally in games. The ‘female’ argument however holds the opinion that T&A is used far more for pure sex appeal than the muscular build of male characters, and that this balance should be redressed by adding more realistic and deep female characters to the gaming world.

To all men reading this (I should probably remind everyone at this point that I am male), feminists have a reason for believing this- and it’s purely social. One bone of contention among feminists is that a sexually overactive male is championed as a ‘ladies’ man’, whilst a comparable woman is simply degraded as a ‘slut’. The old, and relatively true, unfortunately, argument to counter this is the old ‘locks and keys’ principle- the traditional roles of men and women in sex, throughout the animal kingdom in fact, is of the male actively seeking sex wherever it can get it and of the female ‘witholding herself’ until she has found a male she is willing to mate with. Thus, we have locks and keys- a key that can open a lot of locks is an impressive tool, a ladies’ man, whilst a lock that can be opened by a lot of keys is rather insecure and considered a bit rubbish, a slut (my apologies for the rather crude imagery here). The same kind of thing applies in the whole ‘sex objects’ thing- when a man looks at a particularly well-endowed female character, she is more likely to be immediately viewed as a potential sex object to be sought out, whereas if a woman looks at a strong, muscular, impressive guy then he is less likely to be viewed as a one until he ‘comes on’. Thus, one use of female sexual iconography is not ‘balanced out’ by even a large number of ‘ideal men’ unless the sexual link is made explicitly. This also does not take into account the fact that these ‘ideal men’ that people claim are sex symbols are never as provocatively dressed as their female counterparts, which only strengthens the focus on sex appeal portrayed by female characters and skews the balance in favour of the objectification of women.

This counter-argument is, in some ways, no more valid than it’s ‘male’ counterpart- both are opinions based on whether one thinks that sexual imagery within videogames is overly focused towards women or not. If this matter were debated below Sarkeesian’s video, then I actually think it would be beneficial towards all concerned. What I don’t think is right however, is the hideous attacks that have been made against her in that space.

Disagree with her opinion? Fine, make your voice heard. But to attack her personally, to label her “a fucking hypocrite slut”, a coward, to attack her as a Jew, call her a “feminazi” and then claim that her dubbing these people “sexist trolls” is just because ‘oh she has a different opinion to us, so we’re CLEARLY all dicks’ or, worse, ‘because she’s wrong’? That, people, is just being a bunch of idiotic, insensitive morons. Some of the posts just resort to abject rubbish, claiming that ‘women get everything for free’ and ‘why should I have to pay if we get a divorce?’ (quick legal detour- normally because you were her only source of income and she could probably do with a hand to make sure she and your kids don’t starve and have to live out on the streets), and other assorted rubbish. Not only that, but the men (predominantly) posting these are only giving her more ammo, letting her ‘show the world how sexist men still are’, when in reality most of us have got nothing against women being our equals.

I’m not entirely sure where to stand on modern feminism- I entirely agree with equal rights for both sexes, and agree that their representation is not yet equal, but am in places unsure whether they’re pushing a little too far or in the wrong direction. I’m also not sure where I stand on Anita Sarkeesian. But I don’t have to have any views to be appalled at the way she’s been attacked in this scenario, and to condemn the rank idiocy of what is, once again, a minority misrepresenting a huge slice of culture. I mean seriously guys- what the f*&£ are you on?