Think of the CHILDREN!

My last post dealt with the way that sex in our society is something kept very much under wraps, dusted under the carpet and kept out of the conversation of everyday life as much as possible. This post however could be said to be completely debunking every point I made in the last one, for today I will be considering the issue of the increasing use & prevalence of sex, sexuality and sexual connotations in society today.

The main people voicing a strong opinion against this trend are, of course, the kind of militant parents who started a war in the South Park movie (good film, see it if you can). They argue that modern media and marketing strategies place a lot of emphasis on the use of sex symbols and sexual connotations, and that these strategies are, more worryingly, being aimed at a steadily younger audience. Young girls in particular are often quoted as being aggressively targeted by clothing companies from as young as 8, companies trying to buy them into the whole ‘looks and clothes are the most important thing ever’ mentality in order to turn them into fashion-obsessed consumers as early as possible.

There’s certainly a lot of evidence to support their theory as to the increased prevalence of sexual symbolism in today’s culture. Sport may be a good place to look for examples- modern female sports stars are nowadays judged mainly by the way they look, and in many sports where men and women have roughly equal exposure (such as tennis) female competitors often have larger sponsorship deals. Is this because they are better at persuading people that sports equipment is awesome? No, it’s because they are capable of advertising perfume by wearing hardly any clothes and exploiting their sex appeal (think Maria Sharapova, whose game suffered heavily in the few years after she won Wimbledon as she turned into more of a model than a tennis player). And then what about tabloid newspapers and their page 3 hooks for readers, ‘lads mags’ that now have enough status to be invited as judges for the nomination of Sports Personality of The Year (not the BBC’s proudest moment), and clothes companies that now market ‘sexy high heels’ at under 10s?

So… where can this be traced back to? Well, if we, as the pressure groups tend to, blame everything on businesses and clothing companies, their reasoning is actually very simple. Firstly, to consider the issue of children being targeted in one way or another, it’s a well recognised fact that kids love to appear grown-up. They get fussy about their ages (“I’m not 10, I’m 10 and a half!”), copy their parents’ habits and what they see on TV, hate not being able to do stuff on account of age or size and might even try on Mummy and Daddy’s clothes when they’re a bit younger. A child’s ultimate fantasy (and probably one shared by a few adults as well) is to live with all the opportunity and ability of an adult, and without any of the responsibility. For them, therefore, all this sexually-related material that permeates their life is not about sex (which they probably don’t understand properly if at all), but about adulthood, and this just screams ‘awesome’ directly at them. We must also remember that it’s not just the kids who’re at it either; parents love it when their children appear ‘grown-up’ and mature because it makes them seem special, a cut above their peers, subtly suggesting to parents that not only are their kids better than everyone else’s, but that they themselves are better parents. Therefore, whilst some parents might be appalled at the sight of a 9 year old in heels and a miniskirt, others might think of her as quite the young woman, and perhaps even be jealous of the maturity that child seems to have compared to theirs.

And then we must consider a fact that countless bits of market research has shown- sex appeal sells stuff. Even if children don’t get the symbolism, their parents do, and whether the stuff they’re buying is for them or their kids, a bright, smiling, good-looking woman is more likely to encourage them to buy something than an advert featuring a dour looking bloke showing no interest whatsoever. This is especially true when we consider fields such as scent, beauty products and fashionable clothing, all of which are selling products actively designed to make you seem more attractive and, according to Freud at least, get you more sex. Even if you don’t make that connection consciously, there’s no doubt that your subconscious mind picks up on the connection, and that’s before we even consider how totally blatant use of sex, such as in tabloid page 3 columns, acts as a straight marketing hook to sell things. Put simply, sex appeal is an undeniably successful marketing strategy that makes perfect sense, from a purely fiscal point of view, to use.

To finish off, I would like to offer just a snippet of a history lesson. The 1920s were a great time for the USA, producing an economic boom thanks to the likes of Henry Ford,  massive growths in cultural areas such as major league sport, and reinventing social mobility. For the first time, women had a degree of social freedom, particularly among those known as ‘flappers’, who would cut their hair short, drink and smoke in direct and deliberate contravention of the classical female norm. The invention of the car gave young people freedom from their parents and invented the date for the first time, and in jazz music the young of the Roaring Twenties had their own music and social scene as well. This lead, among other things, to a huge increase in sexual freedom among the young, and the media of the time reflected this. This was especially true in the cinema, a relatively new phenomenon, which quickly developed the first sex symbols in the likes of Rudolf Valentino and Clara Bow, prompting advertising and marketing of the time to begin exploiting sex appeal as a means to sell their products. Understandably, the older generation went into uproar over this cultural revolution, but it didn’t make a scrap of difference, and a fresh wave of American culture swept across the world.

Sound familiar? It should do- it’s the same thing people are complaining about now, and people have complained in the same way about the changes in every successive generation, be it teenagers in the 50s, hippies in the 60s, or metal in the 70s. Culture changes, and that’s just a fact of life. There’s nothing wrong with being angry about it, but we must remember that society has survived each new wave of culture and come through each none the worse for wear. If you want to uphold society, then forming a pressure group for each successive thing that offends you probably isn’t the bet way to weather the storm. You’ll have far better results just sticking to what you do like, upholding the values you think are important, and trying to pass those off to your children. It’ll be a lot less painful.

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Fist Pumping

Anyone see the Wimbledon final yesterday? If not, you missed out- great game of tennis, really competitive for the first two sets, and Roger Federer showing just why he is the greatest player of all time towards the end. Tough for Andy Murray after a long, hard tournament, but he did himself proud and as they say: form is temporary, class is permanent. And Federer has some class.

However, the reason I bring this up is not to extol the virtues of a tennis match again (I think my post following Murray’s loss at the Australian Open was enough for that), but because of a feature that, whilst not tennis-specific, appears to be something like home turf for it- the fist pump.

It’s a universally-recognised (from my experience anyway) expression of victory- the clenched fist, raised a little with the bent elbow, used to celebrate each point won, each small victory. It’s an almost laughably recognisable pattern in a tennis match, for whilst the loser of a point will invariably let their hand go limp by their side, or alternatively vent his or her frustration, the winner will almost always change their grip on the racket, and raise one clenched fist in a quiet, individual expression of triumph- or go ape-shit mental in the case of set or match wins.

So then, where does this symbol come from? Why, across the world, is the raised, clenched fist used in arenas ranging from sport to propaganda to warfare as a symbol of victory, be they small or world-changing? What is it that lies behind the fist pump?

Let us first consider the act of a clenched fist itself. Try it now. Go on- clench your fist, hard, maintaining a strong grip. See the knuckles stand out, sense the muscles bulge, feel the forearm stiffen. Now, try to maintain that position. Keep up that strong grip for 30 seconds, a minute, maybe two. After a while, you should feel your grip begin to loosen, almost subconsciously. Try to keep it tight if you can, but soon your forearm will start to ache, grip fading and loosening. It’s OK, you can let go now, but you see the point- maintaining a strong grip is hard old work. Thus, showing a strong grip is symbolic of still having energy, strength to continue, a sign that you are not beaten yet and can still keep on going. This is further accompanied by having the fist in a raised, rather than slack, position, requiring that little bit more effort. Demonstrating this symbol to an opponent after any small victory is almost a way of rubbing their noses in it, a way of saying that whilst they have been humbled, the victor can still keep on going, and is not finished yet.

Then there is the symbolism of the fist as a weapon. Just about every weapon in human history, bar those in Wild Wild West and bad martial arts films, requires the hands to operate it, and our most basic ones (club, sword, mace, axe etc.) all require a strong grip around a handle to use effectively. The fist itself is also, of course, a weapon of sorts in its own right. Although martial artists have taken the concept a stage further, the very origins of human fighting and warfare comes from basic swinging at one another with fists- and it is always the closed fists, using knuckles as the driving weapon, that are symbolic of true hand-to-hand fighting, despite the fact that the most famous martial arts move, the ‘karate chop’ (or knife-hand strike to give it its true name) requires an open hand. Either way, the symbolism and connection between the fist and weaponry/fighting means that the raised fist is representative not only of defiance, of fighting back,  standing tall and being strong against all the other could throw against them (the form in which it was used in large amounts in old Soviet propaganda), but also of dominance, representing the victor’s power and control over their defeated foe, further adding to the whole ‘rubbing their noses in it’ symbolism.

And then there is the position of the fist. Whilst the fist can be and is held in a variety of positions ranging from the full overhead to the low down clench on an extended arm, it is invariably raised slightly when clenched in victory. The movement may only be of a few centimetres, but its significance should not be underestimated- at the very least it brings the arm into a bent position. A bent arm position is the starting point for all punches and strikes, as it is very hard to get any sort of power from a bent arm, so the bending of the arm on the fist clench is once again a connection to the idea of the fist as a weapon. This is reinforced by the upwards motion being towards the face and upper body, as this is the principle target, and certainly the principle direction of movement (groin strikes excepted) in traditional fist fighting. Finally, we have the full lift, fists clenched and raised above the head in the moment of triumph. Here the symbolism is purely positional- the fists raised, especially when compared to the bent neck and hunched shoulders of the defeated compatriot, makes the victor seem bigger and more imposing, looming over his opponent and becoming overbearing and ‘above’ them.

The actual ‘pumping’ action of the fist pump, rarer than the unaccompanied clench,  adds its own effect, although in this case it is less symbolism and more naked emotion on show- not only passion for the moment, but also raw aggression to let one’s opponent know that not only are you up for this, but you are well ready and prepared to front up and challenge them on every level. But this symbolism could be considered to be perhaps for the uncivilised and overemotional, whereas the subtlest, calmest men may content themselves with the tiniest grin and a quick clench, conjuring up centuries of basic symbolism in one tiny, almost insignificant, act of victory.

Normally I’m not really into tennis…

…but today I’ll make an exception. To be honest, until yesterday I was barely aware the Australian Open was on at all, and certainly had no idea of anyone’s progress. But then, at about nine in the morning, I walked into it on the TV. Andy Murray vs Novak Djokovic, semi-final. Murray is two matches away from his first ever grand slam, but he has to get through not only the world number one, but also his arch-nemesis, Rafael Nadal.
Tennis isn’t really a huge thing for me- I quite like it as a game, I watch Wimbledon when it’s on, I know the basics, but ultimately I’m not that good at it and don’t care about it much. Nonetheless, Murray is a Scot, and as a reasonably patriotic quarter-Scottish Brit who’s fairly into his sport, I thought I’d try too keep track of the game as it went on.
As the day progressed, I had very little time to watch it- I caught a 20-minute patch of a few exchanged third-set games during which precisely nothing happened, dropped in at the start of the 5th set, and rushed over to catch the last two games. Not much, but enough to give me a vague insight into the game as it unfolded. For those who don’t know, Djokovic took the first set, but Murray played impressively to take the second and the third (in a tie break), breaking back on numerous occasions. Djokovic won the fourth set 6-1, Murray had to break back to draw level at 5-5 in the fifth, before conceding a break and the match. Final result: Djokovic 6-3, 3-6, 6-7, 6-1, 7-5.
To me, as the match went on, Murray was playing like, well, how he always does when up against stiff competition. I don’t know if it’s just  mine or the British nation’s collective pessimism, but one can never really be sure of anything when watching Andy Murray- you always get the sensation that he’s about to fire a shot into the net or overshoot. As I say- probably just mindless pessimism.
But, for all his imperfections, for all my worries, for all the cynics’ pessimism about how generally useless we British are at everything (for the record, I HATE those people), on that drawn-out Friday (and for Murray, Saturday), I was proud of him, proud of my man. Completely stupid, I know- I have no personal knowledge of or link with the guy, have a self-professed indifference towards tennis as a rule, and all in all have no real connection with him, let alone a reason to mentally refer to him as ‘mine’. In fact, the only reason I (and quite a lot of his other fans too I suspect) follow him is due to some bull-headed British national pride (my apologies to all Scots reading this, but at least I would refer to him as British if he were losing as well). But that isn’t the point I’m trying to make here. Murray made Djokovic work for his place in the final with every single gram of sweat and effort in his body- the match was almost 5 hours long, the longest match Murray has ever played, and I can attest to the fact that Djokovic spent the majority of the match looking completely knackered. Djokovic didn’t win that match- tennis won, Murray’s mental state won, his estimations and admiration won, sport won.
Sport can be a terrible, horrible thing. It can sometimes be dull, there can sometimes be meaningless thrashings, there can sometimes be horrendous foul play or downright cheating, and worst of all can be sport played solely to win, played solely for the ego of the participants. But sport can also be wonderful, beautiful. Murray’s match was an example of that. He showed us how to fail- with all the effort, pride and dignity of your proudest and greatest victories. There is sport at its best. Nigel Wray, owner of the London rugby club Saracens, famously takes the view that ‘sport’ is the wrong word- ‘teams’ is better, because it emphasises the importance of sport’s camaraderie, friendship, values and teamwork. Even a solo sport like tennis is a game far better played when the emphasis is skill and enjoyment, not just grinding out victories. Rugby is my sport for precisely that reason- it’s ethos and spirit, but any sport played in the correct way, with the correct mindset, is the reason for playing sport at all. Thank you, Andy Murray- you lost magnificently